• Arts Lab in Interfaces, Computers, and Everything Else

    (Education, Exceptions, Experiences, Enterntainment, Environment, Entropy, Errors, and Etecetera...)


O Chaos das 5

“O Chaos das 5” is an audiovisual digital performance. The guideline of the performance is inspired by Alice, from Lewis Carroll book - Alice in the Wonderland, as a metaphor to take the audience to a synthetic and disruptive wonder world. The concept of the performance is to conceive the possibility to the audience to interact through digital interfaces creating an immersive and participatory experience by combining three important layers of information (music, projections and gestures) through their cellphones. Once that the audience members take part of the show on an immersive aspect, there is no stage or another mark to limit the space of the performers and the audience.

The Musical Layer is composed by the digital devices to be accessed by the public on their cellphones and with 5 musicians improvising with their unconventional digital musicians. The Visual Layer projections made in real time presents an aesthetic that puts the computer in scene, opening the “Black Box” and exposing the machine in its realistic imaging.

Public interaction is given by the capture of images and data to be used in the projections. The Gesture Layer counts with a performance that mixes a set of gestures, improvisations and physically interactions with the audience in the space of the show. The plot is organized in a first welcome, three scenes and a final credit show.

Check the pics of some presentations

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Publications about it

2019

  1. João Teixeira Araújo, Avner Paulo, Igino Silva Junior, Flávio Schiavoni, Mauro César Fachina Canito, and Rômulo Augusto Vieira Costa. 2019. A technical approach of the audience participation in the performance ’O Chaos das 5’. In Proceedings of the 17th Brazilian Symposium on Computer Music, 28–34.
    @inproceedings{2019AraujoPauloSBCM,
      author = {Ara\'ujo, Jo\~{a}o Teixeira and Paulo, Avner and Junior, Igino Silva and Schiavoni, Fl\'{a}vio and Canito, Mauro C\'esar Fachina and Costa, R\^omulo Augusto Vieira},
      title = {A technical approach of the audience participation in the performance 'O Chaos das 5'},
      pages = {28-34},
      booktitle = {Proceedings of the 17th Brazilian Symposium on Computer Music},
      editor = {Schiavoni, Fl\'{a}vio and Tavares, Tiago and Constante, Rog\'erio and Rossi, R\'egis},
      year = {2019},
      month = sep,
      publisher = {Sociedade Brasileira de Computa\c{c}\~{a}o},
      address = {S\~{a}o Jo\~{a}o del-Rei - MG - Brazil}
    }
    
  2. Flávio Luiz Schiavoni, Adilson Siqueira, Rogério Tavares Constante, Igino de Oliveira Silva Junior, Thiago de Andrade Morandi, Fábio dos Passos Carvalho, João Teixeira Araújo, André Lucas Nascimento Gomes, Frederico Ribeiro Resende, Santos Luı́sa Lugon-Moulin Brazil, Avner Maximiliano de Paulo, Carlos Eduardo Oliveira de Souza, Allyson da Cruz Rodrigues, Igor Alves Estevam Andrade, Aneliza Rodrigues Prado, Patrick Veniali da Silva, João Lucas Ruas Teixeira, Aretha Brito de Lima, Bruna Guimarães Lima e Silva, Ívyla Nascimento Silva, Wanderson Andre Martins Pereira, Rafael Gomes de Oliveira, Octávio Ferreira Deluchi Cerqueira da Silva, Valdir de Siqueira Santos Junior, and Matteo Vinicius Alves Recinella. 2019. O Chaos das 5. In Proceedings of the 17th Brazilian Symposium on Computer Music, 227–228.
    @inproceedings{2019ChaosSBCM,
      author = {Schiavoni, Flávio Luiz and Siqueira, Adilson and Constante, Rogério Tavares and de Oliveira Silva Junior, Igino and de Andrade Morandi, Thiago and dos Passos Carvalho, Fábio and Araújo, João Teixeira and Gomes, André Lucas Nascimento and Resende, Frederico Ribeiro and Santos, Luı́sa Lugon-Moulin Brazil and de Paulo, Avner Maximiliano and de Souza, Carlos Eduardo Oliveira and da Cruz Rodrigues, Allyson and Andrade, Igor Alves Estevam and Prado, Aneliza Rodrigues and da Silva, Patrick Veniali and Teixeira, João Lucas Ruas and de Lima, Aretha Brito and e Silva, Bruna Guimarães Lima and Silva, Ívyla Nascimento and Pereira, Wanderson Andre Martins and de Oliveira, Rafael Gomes and da Silva, Octávio Ferreira Deluchi Cerqueira and de Siqueira Santos Junior, Valdir and Recinella, Matteo Vinicius Alves},
      title = {O Chaos das 5},
      pages = {227-228},
      booktitle = {Proceedings of the 17th Brazilian Symposium on Computer Music},
      editor = {Schiavoni, Fl\'{a}vio and Tavares, Tiago and Constante, Rog\'erio and Rossi, R\'egis},
      year = {2019},
      month = sep,
      publisher = {Sociedade Brasileira de Computa\c{c}\~{a}o},
      address = {S\~{a}o Jo\~{a}o del-Rei - MG - Brazil}
    }
    
  3. Igino de Oliveira Silva Júnior, Flávio Luiz Schiavoni, Adilson Roberto Siqueira, and Marcela Alves de Almeida. 2019. A interatividade do Chaos das 5. In Anais do 5o. Seminário de Artes Digitais 2019, 115–122.
    @inproceedings{2019iginoSAD,
      author = {de Oliveira Silva Júnior, Igino and Schiavoni, Flávio Luiz and Siqueira, Adilson Roberto and de Almeida, Marcela Alves},
      title = {A interatividade do Chaos das 5},
      booktitle = {Anais do 5o. Seminário de Artes Digitais 2019},
      year = {2019},
      address = {Belo Horizonte},
      pages = {115-122}
    }
    

Check our Publications Page to see more about it.